foxicaopica:

lots-of-dogs:

Silken Windhounds

!!!

thelovelyseas:

Sharks 33 2013 Bahamas 48 437 Tiger Beach Lemon shark by Tim Priest

thelovelyseas:

2013 Bahamas 32 339 Fish Tales reef shark by tdpriest on Flickr.

if JG quintell can make a successful show about being high at work with your friends,

then so can I

You owe me awe.

thegeekyblonde:

bigbardafree:

literally thats all anyone would need to tell me to get me to hate john green

"did you know in one of his books the two main characters make out in the anne frank house"

thats literally making out with someone at a holocaust memorial that’s awful what the fuck

especially in the context of the scene, like they act like they’re Taking It Back For True Love bc no one else appreciates the anne frank house in the right way, i love when white christians reclaim holocaust memorials

shitshilarious:

When you are about to fall asleep and you do the thing

shitshilarious:

When you are about to fall asleep and you do the thing

terrakion:

policymic:

Dreamworks is doing something even Pixar hasn’t tried: A black female heroine

DreamWorks Animation Studios has announced the addition of a black female heroine (gasp!) to its repertoire of white dogs, green ogres, snails, Neanderthals, pandas, white people and Antz. In doing so, it joins an elite club consisting of … well, nobody.
Not one major Hollywood studio has released a 3D animated feature starring a black character.
Read more | Follow policymic


SHES VOICED BY RIHANNA

terrakion:

policymic:

Dreamworks is doing something even Pixar hasn’t tried: A black female heroine

DreamWorks Animation Studios has announced the addition of a black female heroine (gasp!) to its repertoire of white dogs, green ogres, snails, Neanderthals, pandas, white people and Antz. In doing so, it joins an elite club consisting of … well, nobody.

Not one major Hollywood studio has released a 3D animated feature starring a black character.

Read more | Follow policymic

SHES VOICED BY RIHANNA

While the context and narrative itself sets up obstacles, the film often uses visuals to help express Clarice’s status in the order of things. A recurring visual motif is Clarice surrounded by taller men, dwarfed and brought down by their stature. Yes, Jodie Foster is a short woman, just a few inches over five feet, but the film often exaggerates that discrepancy to express her challenge in overcoming a patriarchal society that literally looks down on her. […]

The film camera also never objectifies Clarice. Throughout the film she is presented as an object of the male gaze by the characters in the narrative, but the camera does not assume this perspective of the male look until the end of the film. It’s at this point then that Clarice punishes and banishes the male gaze for objectifying her. [x]

tiny human being who makes art and is actually made of crystals. I am Romy.